Price: Sold





Title: Awelye Atnwengerrp

ID: IW3123

Medium: Acrylic on Belgian Linen

Size: 136x123 cm

This magnificent artwork refers to Awelye aboriginal dictionary button at Atnwengerrp aboriginal dictionary button, a significant place at Utopia in central Australia.


For awelye the women anoint their upper body with oil before applying body paint designs in preparation for women's ceremonies. The women sing during this application process. Women's ceremonies are very important; through body paint, song lines and dance cycles, they pay homage to the country they are attached too.


The two small circles depicted represent the bush melons the artist and other women would gather for bush tucker, which grew once in abundance, but now difficult to find.


If you would like to know more about Awelye Atnwengerrp and the relationship with Aboriginal Art and culture, please read the following articles, or view video footage of Aboriginal Women applying body paint design:

 

Aboriginal Symbols Glossary:
(Click on a symbol icon to learn about the meaning)


Awelye Atnwengerrp

An Australian Aboriginal artwork should always be issued with a Certificate of Provenance, also known as a Certificate of Authenticity. This document contains vital information on the artist, as well as details about the artwork itself. When selling on an artwork, please ensure that this document is passed on. Authenticity of Provenance means that the origin or authorship of a work of art has been correctly identified.

Central Art follows a well defined provenance and authenticity process to ensure that we are an exemplar in our business practice . Careful and detailed documentation follows – each work is given a catalogue number, inscribed on the back of the artwork with the Central Art stamped logo, the artist's signature and the title of the work.





Our Certificate of Provenance contains the following information:

  • Artwork title and depiction
  • Catalogue number
  • Dimensions
  • Medium
  • Date of completion
  • Artists name
  • Date of birth
  • Region
  • Language group
  • Description the artwork represents
  • Portrait of the artist and the work (as shown in image above)
  • Portrait of the artist signing the work
  • Our business and contacts details
  • Authorising signature from a person on behalf of Central Art

Printed on the Certificate of Provenance is a copyright acknowledgement that reads as follows:

This work is copyright. The copyright is owned by the Artist and his/her people. This painting may not be reproduced in part, in whole, or in any other form without the permission of the Artist or his/her inheritors clearly in writing, with all knowledge prior to final proof to the family concerned – then only when clearance has been approved.

 

Description

This magnificent artwork refers to Awelye aboriginal dictionary button at Atnwengerrp aboriginal dictionary button, a significant place at Utopia in central Australia.


For awelye the women anoint their upper body with oil before applying body paint designs in preparation for women's ceremonies. The women sing during this application process. Women's ceremonies are very important; through body paint, song lines and dance cycles, they pay homage to the country they are attached too.


The two small circles depicted represent the bush melons the artist and other women would gather for bush tucker, which grew once in abundance, but now difficult to find.


If you would like to know more about Awelye Atnwengerrp and the relationship with Aboriginal Art and culture, please read the following articles, or view video footage of Aboriginal Women applying body paint design:

 


Medium: Acrylic on Belgian Linen

Size: 136x123 cm

This magnificent artwork refers to Awelye aboriginal dictionary button at Atnwengerrp aboriginal dictionary button, a significant place at Utopia in central Australia.


For awelye the women anoint their upper body with oil before applying body paint designs in preparation for women's ceremonies. The women sing during this application process. Women's ceremonies are very important; through body paint, song lines and dance cycles, they pay homage to the country they are attached too.


The two small circles depicted represent the bush melons the artist and other women would gather for bush tucker, which grew once in abundance, but now difficult to find.


If you would like to know more about Awelye Atnwengerrp and the relationship with Aboriginal Art and culture, please read the following articles, or view video footage of Aboriginal Women applying body paint design:

 

Aboriginal Symbols Glossary:
(Click on a symbol icon to learn about the meaning)


Awelye Atnwengerrp

An Australian Aboriginal artwork should always be issued with a Certificate of Provenance, also known as a Certificate of Authenticity. This document contains vital information on the artist, as well as details about the artwork itself. When selling on an artwork, please ensure that this document is passed on. Authenticity of Provenance means that the origin or authorship of a work of art has been correctly identified.

Central Art follows a well defined provenance and authenticity process to ensure that we are an exemplar in our business practice . Careful and detailed documentation follows – each work is given a catalogue number, inscribed on the back of the artwork with the Central Art stamped logo, the artist's signature and the title of the work.





Our Certificate of Provenance contains the following information:

  • Artwork title and depiction
  • Catalogue number
  • Dimensions
  • Medium
  • Date of completion
  • Artists name
  • Date of birth
  • Region
  • Language group
  • Description the artwork represents
  • Portrait of the artist and the work (as shown in image above)
  • Portrait of the artist signing the work
  • Our business and contacts details
  • Authorising signature from a person on behalf of Central Art

Printed on the Certificate of Provenance is a copyright acknowledgement that reads as follows:

This work is copyright. The copyright is owned by the Artist and his/her people. This painting may not be reproduced in part, in whole, or in any other form without the permission of the Artist or his/her inheritors clearly in writing, with all knowledge prior to final proof to the family concerned – then only when clearance has been approved.

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