Title: Emu Dreaming
ID: 09021494
Medium: Acrylic on Canvas
Size: 30x30 cm
Artist: Raymond Walters Japanangka
During the Dreamtime hundreds of Emu travelled through the Western Desert towards the East, moving across the land in great numbers creating and forcing the land to change and evolve. Their enormous size and great numbers enabled them create such change in the land. For many days they travelled through different language groups leaving different stories, interacting with different animal species and spiritual beings, leaving songs and stories which are still heard today. Many died from travelling so far, so long without water and food. Signs of the Emu’s that perished are found in some remote areas in the Western and Tanami Deserts. Finally after travelling a great distance, the Emu’s decided to rest, they were resting near a place called Ngarleyekwerlang, home of the old man Turkey.
The Emu’s were hungry and heard from others about the sweet tasting Kutjuta (Bush Tomato). While the other Emu’s rested, one Emu went into the Ngarleyekwerlang grass plains and asked Old Man Turkey for some Kutjuta. The Old Man Turkey said his Kutjuta was rotten and didn’t taste very nice and got cranky, telling the Emu to go away. The Emu did not believe Old Man Turkey and returned to the others, waiting until late in the afternoon when the Old Man Turkey flew elsewhere.
When the Emu returned he came across a trench in the ground where he found all this Kutjuta hidden. He tasted one and it was beautiful and sweet. While he was feeding the Old Man Turkey came back and found. He wasn’t happy and a fight started when scattered all the Kutjuta everywhere and creating the Ngarleyekwerlang landscape. This story is an important song sung during special ceremonies.
If you would like to know more about the Emu Dreaming and the relationship with Aboriginal Art and culture, please read the following article:
An Australian Aboriginal artwork should always be issued with a Certificate of Provenance, also known as a Certificate of Authenticity. This document contains vital information on the artist, as well as details about the artwork itself. When selling on an artwork, please ensure that this document is passed on. Authenticity of Provenance means that the origin or authorship of a work of art has been correctly identified.
Central Art follows a well defined provenance and authenticity process to ensure that we are an exemplar in our business practice . Careful and detailed documentation follows – each work is given a catalogue number, inscribed on the back of the artwork with the Central Art stamped logo, the artist's signature and the title of the work.
Printed on the Certificate of Provenance is a copyright acknowledgement that reads as follows:
This work is copyright. The copyright is owned by the Artist and his/her people. This painting may not be reproduced in part, in whole, or in any other form without the permission of the Artist or his/her inheritors clearly in writing, with all knowledge prior to final proof to the family concerned – then only when clearance has been approved.
Description
During the Dreamtime hundreds of Emu travelled through the Western Desert towards the East, moving across the land in great numbers creating and forcing the land to change and evolve. Their enormous size and great numbers enabled them create such change in the land. For many days they travelled through different language groups leaving different stories, interacting with different animal species and spiritual beings, leaving songs and stories which are still heard today. Many died from travelling so far, so long without water and food. Signs of the Emu’s that perished are found in some remote areas in the Western and Tanami Deserts. Finally after travelling a great distance, the Emu’s decided to rest, they were resting near a place called Ngarleyekwerlang, home of the old man Turkey.
The Emu’s were hungry and heard from others about the sweet tasting Kutjuta (Bush Tomato). While the other Emu’s rested, one Emu went into the Ngarleyekwerlang grass plains and asked Old Man Turkey for some Kutjuta. The Old Man Turkey said his Kutjuta was rotten and didn’t taste very nice and got cranky, telling the Emu to go away. The Emu did not believe Old Man Turkey and returned to the others, waiting until late in the afternoon when the Old Man Turkey flew elsewhere.
When the Emu returned he came across a trench in the ground where he found all this Kutjuta hidden. He tasted one and it was beautiful and sweet. While he was feeding the Old Man Turkey came back and found. He wasn’t happy and a fight started when scattered all the Kutjuta everywhere and creating the Ngarleyekwerlang landscape. This story is an important song sung during special ceremonies.
If you would like to know more about the Emu Dreaming and the relationship with Aboriginal Art and culture, please read the following article:
© 2012 All images and Text on the www.aboriginalartstore.com.au are copyright. Please view our copyright policy.
Medium: Acrylic on Canvas
Size: 30x30 cm
Artist: Raymond Walters Japanangka
During the Dreamtime hundreds of Emu travelled through the Western Desert towards the East, moving across the land in great numbers creating and forcing the land to change and evolve. Their enormous size and great numbers enabled them create such change in the land. For many days they travelled through different language groups leaving different stories, interacting with different animal species and spiritual beings, leaving songs and stories which are still heard today. Many died from travelling so far, so long without water and food. Signs of the Emu’s that perished are found in some remote areas in the Western and Tanami Deserts. Finally after travelling a great distance, the Emu’s decided to rest, they were resting near a place called Ngarleyekwerlang, home of the old man Turkey.
The Emu’s were hungry and heard from others about the sweet tasting Kutjuta (Bush Tomato). While the other Emu’s rested, one Emu went into the Ngarleyekwerlang grass plains and asked Old Man Turkey for some Kutjuta. The Old Man Turkey said his Kutjuta was rotten and didn’t taste very nice and got cranky, telling the Emu to go away. The Emu did not believe Old Man Turkey and returned to the others, waiting until late in the afternoon when the Old Man Turkey flew elsewhere.
When the Emu returned he came across a trench in the ground where he found all this Kutjuta hidden. He tasted one and it was beautiful and sweet. While he was feeding the Old Man Turkey came back and found. He wasn’t happy and a fight started when scattered all the Kutjuta everywhere and creating the Ngarleyekwerlang landscape. This story is an important song sung during special ceremonies.
If you would like to know more about the Emu Dreaming and the relationship with Aboriginal Art and culture, please read the following article:
An Australian Aboriginal artwork should always be issued with a Certificate of Provenance, also known as a Certificate of Authenticity. This document contains vital information on the artist, as well as details about the artwork itself. When selling on an artwork, please ensure that this document is passed on. Authenticity of Provenance means that the origin or authorship of a work of art has been correctly identified.
Central Art follows a well defined provenance and authenticity process to ensure that we are an exemplar in our business practice . Careful and detailed documentation follows – each work is given a catalogue number, inscribed on the back of the artwork with the Central Art stamped logo, the artist's signature and the title of the work.
Printed on the Certificate of Provenance is a copyright acknowledgement that reads as follows:
This work is copyright. The copyright is owned by the Artist and his/her people. This painting may not be reproduced in part, in whole, or in any other form without the permission of the Artist or his/her inheritors clearly in writing, with all knowledge prior to final proof to the family concerned – then only when clearance has been approved.
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