Gloria Petyarre
- Skin Name:Petyarre
- Language:Anmatyerre
- Region:Utopia, Central Australia
- Dreaming:Mountain Devil Lizard Dreaming, Bean, Bush Medicine Dreaming, Awelye, Emu, Pencil Yam, Small Brown Grass.
Artist has Passed Away
1945 - 2021
Out of respect for Aboriginal culture Central Art has removed the artist's photograph.
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Biography
When I (Sabine Haider, Director of Central Art) think of Gloria Petyarre I have to smile, she is a no nonsense woman with a good sense of humour. She is strong and bold just like her artworks. I have known Gloria for many years and find her artworks to be soothing for the soul. When I glaze upon her artworks all my senses come to life, particularly her Bush Medicine Dreaming paintings – I can almost feel, hear, see the grass swaying in the wind on a hot summers day.
Gloria Tamerre Petyarre was born in approximately 1945 and is from Atnangkere soakage in the Utopia region in Central Australia. She is part of the Anmatyerre language group. Gloria is a very well know artist and significant figure in contemporary Indigenous Australian art. Gloria and her five sisters, Kathleen Petyarre, Ada Bird Petyarre (now passed away), Myrtle Petyarre, Violet Petyarre and Nancy Petyarre (now passed away) are all talented artists and the nieces of the famous Utopian artist Emily Kame Kngwarreye.
Gloria became involved in the Utopian art movement like many others from this generation, through the community project titled “Utopia – A Picture Story” in the late 1970’s, it was a joint venture which brought silk batik making into the community. The women would use their traditional designs and depict these on the silk batiks. It was a huge success resulting in the whole collection being acquired by the Holmes a Court Collection and Australian and overseas exhibitions. Gloria became one of the founding members of the Utopia Women’s Batik Group. Her batik depicted Emu Dreaming uses traditional Aboriginal iconography throughout the work. The Emu and Mountain Devil Lizard are Dreamings from Atnangkere country.
In 1989 Gloria was also involved in the “Summer Project” at Utopia where canvas and acrylic paints were introduced to the women. The result was an explosion of creative flair and the beginning of some fascinating artistic careers. In 1990 she travelled to Ireland, England and India as part of the “Utopia – A Picture Story” exhibition and held her first solo exhibition in 1991.
Gloria is the custodian of several Dreaming stories including the Pencil Yam, Bean, Emu, and Mountain Devil Lizard. Her paintings are monochromatic or multi coloured and very distinguishable for their well defined segments filled with curved lines. It evokes a strong rhythmic quality to her works. Her works have evolved into abstract fields that represent leaves, grasses and body paint. A clear example of this is her “Bush Medicine Leaves” which depict leaves from plant species which are used for medicinal purposes in traditional healing practices. The women from Utopia would gather the leaves and boil them, resin was added and mixed into a paste, and this was then used as bush medicine to treat many ailments. This practice still continues today and is honoured in Awelye (women’s business) ceremonies. Gloria is an experimentalist with her images based on the flora and fauna surrounding her country, as you admire her paintings you can almost see and feel the wind sweeping through the grasses.
She has been credited as the creator of this fine style and whilst this is certainly a popular design and she is the most collectable artist to use this style, she has a vast body of experience, knowledge and Dreamings to draw on. In recent years she has moved away slightly from her finely detailed strokes to create “Big Leaves”, where she uses thick brush strokes to depict her Medicine Dreaming.
In 1995/6 Gloria was awarded a full fellowship grant from the Aboriginal and Torres Strait Islander Board of the Australia Council and in 1999 she won Australia’s longest running art prize, The Wynne Prize. She was the first Aboriginal person to win a major prize from the Art Gallery of New South Wales. It was after this award that her career really began to take off. On four occasions she has also been a finalist of Australia’s most prestigious art award, the National Aboriginal and Torres Strait Islander Art Award.
Gloria Petyarre’s artworks have been exhibited widely around Australia and overseas, including, Europe, North America and Asia and her paintings are held in some of the most important art collections around the world. She is certainly one of the most collectable and famous living and working Aboriginal artists today.
Central Art has a wide variety of Gloria’s artworks and have many examples of her two most well known Dreamings – Bush Medicine Dreaming and Mountain Devil Lizard Dreaming. There is a wide variety of beautiful colours to choose from. We have some very large artworks with some just under 2 meters long. Her fine brush strokes create twists and turns over the canvas and are mesmerizing to watch. We also have some lovely small artworks so all our clients have the potential to own their very own Gloria Petyarre painting.
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Bibliography
- Art Gallery of New South Wales & Watson, K. & Jones, J. & Perkins, H., (1965- 2006) Tradition today : Indigenous Art in Australia, Art Gallery of New South Wales, Sydney
- Birnberg, M. & Kreczmanski, J.B. (2004) Aboriginal Artists Dictionary of Biographies. Central Desert, Western Desert & Kimberley Region. JB Publishing Australia, Marleston, South Australia.
- Brody, A. & Gooch, R. & Robert Holmes à Court Collection & CAAMA Shop (1990) Utopia: a picture story: 88 silk batiks from the Robert Holmes à Court Collection, Heytesbury Holdings Ltd. for the Robert Holmes à Court Collection, Perth, Western Australia.
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Collections
- National Gallery of Australia.
- National Gallery of Victoria.
- Museum of Victoria.
- Art Gallery of South Australia.
- Art Gallery of Queensland.
- Art Gallery of New South Wales.
- Flinders University.
- Griffith University Collection.
- Gold Coast City Art Gallery.
- Queensland University of Technology.
- Museums and Art Galleries of the Northern Territory.
- Brisbane Supreme Court,
- Powerhouse Museum.
- Westpac Gallery, New York, USA.
- Wadsworth Athenaeum, Hartford, USA.
- Robert Holmes á Court Collection.
- Wollongong University Collection.
- Artbank.
- Macquarie Bank.
- Singapore Art Museum.
- British Museum, London, UK.
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Exhibitions
- 2011, “Aboriginal Art Collectors Gallery”, Kate Owen Gallery, Sydney.
- 2010, “New Beginnings”, Central Art – Aboriginal Art Store, Alice Springs (touring Germany).
- 2010, DACOU Gallery, Melbourne.
- 2009, “Abstraction”, Utopia Art, Sydney.
- 2009, “5th Shalom Gamarada Aboriginal Art Exhibition”, University of New South Wales, Sydney.
- 2009, “Size Matters”, Kate Owen Gallery, Sydney.
- 2008, “Gooch’s Utopia”, Flinders University, Adelaide.
- 2008, “Three Petyarre’s”, Kate Owen Gallery, Sydney.
- 2007, “The Petyarre Sisters 2007”, Central Art – Aboriginal Art Store, Alice Springs.
- 2006, “Utopia”, Flinders Lane Gallery.
- 2006, National Museum of Women in Arts, Washington, USA.
- 2006, “A Survey”, Utopia Art, Sydney.
- 2004, “Utopia, Gloria, Barbara, Minnie”, Flinders Lane Gallery, Melbourne.
- 2004, “The Women’s Show”, Vivienne Anderson Gallery, Melbourne.
- 2004, Ivan Dougherty Gallery, COFA, New South Wales.
- 2004, Curtin University of Technology, Perth.
- 2004, Fremantle Arts Centre, Perth.
- 2004, “Power of the Land”, Utopia Art, Sydney.
- 2003, Glen Eira City Gallery, Melbourne.
- 2003, National Gallery of Victoria, Federation Square, Melbourne.
- 2003, Chapel off Chapel, Melbourne.
- 2002, Singapore Museum, Singapore.
- 2002, “Two Thirds Sky”, Hazelhurst Regional Gallery & Arts Centre, NSW.
- 2002, Light Square Gallery, Adelaide.
- 2002, Chapel off Chapel, Melbourne.
- 2002, National Gallery of Victoria, Federation Square, Melbourne.
- 2002, Utopia Art, Sydney.
- 2002, Knut Grothe Galeri, Denmark.
- 2002, Royal Exhibition Hall, Melbourne.
- 2002, “The Utopia Six”, Flinders Lane Gallery.
- 2001, Utopia Art, Sydney.
- 2001, Brisbane City Gallery, Brisbane.
- 2001, Manawatu Gallery, New Zealand.
- 2001, Kunst der Gegenwart, Vienna, Austria.
- 2001, “Icons of Australian Aboriginal Art”, Singapore.
- 2000, Fireworks Gallery, Brisbane.
- 2000, Australian National University, Canberra.
- 2000, Royal Exhibition Hall, Melbourne.
- 2000, Old Parliament House, Canberra.
- 2000, Utopia Art, Sydney.
- 1999, Sherman Galleries, Sydney.
- 1999, Fine Arts Museum of San Francisco, USA.
- 1999, Gallery Gabrielle Pizzi, Melbourne.
- 1999, Embassy of Australia, Washington, USA.
- 1999, Art Gallery of Western Australia, Perth.
- 1999, New England Regional Art Museum, Armidale.
- 1999, Red Desert Gallery, Eumundi.
- 1999, Utopia Art, Sydney.
- 1999, Flinders Land Gallery, Melbourne.
- 1999, “Wildflowers”, Mbantua Gallery, Alice Springs.
- 1998, Annadale Galleries, Sydney.
- 1998, Araluen Arts Centre, Alice Springs.
- 1998, Utopia Art, Sydney.
- 1998, Campbelltown Bicentennial Art Gallery, Campbelltown.
- 1998, Chapman Gallery, Canberra.
- 1998, Robert Steele Gallery, Adelaide.
- 1997, Australian Galleries, Sydney.
- 1997, “Instant Pictures”, Utopia Art, Sydney.
- 1997, Sutton Gallery, Melbourne.
- 1996, S.H. Ervin Gallery, Sydney.
- 1996, Old Parliament House, Canberra.
- 1996, Fireworks Gallery, Brisbane.
- 1996, Sherman Galleries, Sydney.
- 1996, William Mora Galleries, Melbourne.
- 1996, Royal Exhibition Hall, Melbourne.
- 1996, Niagara Galleries, Melbourne.
- 1996, Utopia Art, Sydney.
- 1995, Art Gallery of New South Wales, Sydney.
- 1995, Gallery Gabrielle Pizzi, Melbourne.
- 1995, National Gallery of Australia, Canberra.
- 1995, Museum of Art, Gifu, Japan.
- 1995, National Gallery of Victoria, Melbourne.
- 1995, Mitchell Galleries, State Library of New South Wales, Sydney.
- 1995, Powerhouse Museum, Sydney.
- 1995, “Gloria Petyarre: On the Line”, Utopia Art, Sydney.
- 1994, Utopia Art, Sydney.
- 1994, Art Gallery of New South Wales, Sydney.
- 1994, Royal Exhibition Hall, Melbourne.
- 1994, Gallery Gabrielle Pizzi, Melbourne.
- 1993, Utopia Art, Sydney.
- 1993, Myra Morgan Gallery, Kansas, USA.
- 1993, Art Gallery of Queensland, Brisbane.
- 1993, Austral Gallery, St Louis, USA.
- 1993, Australian Embassy, Paris, France.
- 1992, Gallery Gabrielle Pizzi, Melbourne.
- 1992, Robert Holmes a Court Collection, Bangkok, Thailand.
- 1992, Gallery Rai, Tokyo, Japan.
- 1992, National Gallery of Australia, Canberra.
- 1992, Royal Exhibition Hall, Melbourne.
- 1992, Utopia Art, Sydney.
- 1991, S.H. Ervin Gallery, Sydney.
- 1991, Australian Galleries, New York, USA.
- 1991, Meat Market Gallery, Melbourne.
- 1991, Art Gallery of New South Wales, Sydney.
- 1991, Utopia Art, Sydney.
- 1990, Tandanya Cultural Institute, Adelaide.
- 1990, “Utopia”, (exhibited through Ireland, UK & India).
- 1990, Orange Regional Gallery,
- 1990, Third Eye Centre, Glasgow, Ireland.
- 1990, Utopia Art, Sydney.
- 1989, Austral Gallery, St. Louis, USA.
- 1989, Coventry Gallery, Sydney.
- 1989, Utopia Art, Sydney.
- 1988, Utopia Art, Sydney.
- 1988, Bloomfield Gallery, Sydney.
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Awards
- 2004, Highly Commended, Wynne, Art Gallery of New South Wales.
- 1999, Wynne Prize, Art Gallery of New South Wales.
- 1996, Full Fellowship Grant, Aboriginal and Torres Strait Islander Board, the Australia Council.
- 1993, Tapestry for Victorian Tapestry Workshop, Melbourne.
- 1994, Tapestry Commission, Law Courts Brisbane, Brisbane.
- 1993, Mural for Kansas City Zoo, Kansas, USA.
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